![]() ![]() All three novels are examples of lesbian fiction, but they are also arguably works of historiographic metafiction and “post-Victorian” novels. Since 1998, Waters has published three books set in the mid-to-late Victorian era, featuring lesbian protagonists: Tipping the Velvet, Affinity and Fingersmith. This masters thesis analyses the work of British writer Sarah Waters, focussing on the inseparability of spatiality and the expression of sexuality in her novels. These attitudes are based on the concepts that there is now a radically different way of looking at human nature, that everything ought to depend on what one is in oneself, and that it is only in love that humans can live purposefully and happily with each other. The book is an astounding rebuttal of contemporary prejudice, and a call for more humane and liberal attitudes. Dickens took the ideal nature of womanhood and the depravity of the prostitute, and combined them in a remarkable dramatization which he had some right to claim was also true to life. Nancy is a demonstration of the two elements combined together. On the other hand, there was a certain fascination in a woman's degradation, even though that could be shown only indirectly. On the one hand, a woman might be conceived as someone refined and somewhat remote from ordinary life like Rose Maylie. Dickens's portrayal of Nancy illustrates the power of the dual conception of womanhood held at the time. Dickens was anxious to expose the truth about such a woman because he believed it would be a service to society. Among the most miserable inhabitants of the world of Oliver Twist, Nancy appears as a key figure.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |